Category: Fixing Friday

  • Fixing Friday – Writing Draft Two

    Fixing Friday – Writing Draft Two

    Once I completed my scene by scene breakdown, including a timeline for all the important events prior to and during the story, it was time to start working on the manuscript again. I chose to rewrite it from scratch, using the previous draft as a reference.

    I had a few reasons for this. The first being that if I just changed every sentence with tracked changes on, it would end up a confusing red mess and my brain just wouldn’t cope with that. I wanted to work on a fresh canvas, so I wasn’t painting over the previous brushstrokes.

    Some authors like to write whatever scene comes to mind and can write a story out of order. I am not one of those authors, it breaks my brain too much and I get myself confused. I prefer writing in chronological order. Of course, having a timeline mapped out helps with that.

    Did I rewrite every word? More or less, but there were sections I liked enough to copy them and edit. Snappy bits of dialogue and descriptions I liked. I think it helped, taking a break after finishing the first draft before starting this process. It keeps things fresh and it’s easier to evaluate what I wrote before.

    The other reason is that it’s easier for me to track my progress. Seeing the wordcount climb with each new scene written helped keep me on track. As well as keeping up with my numbers for ZAPWHAMPOW! Much of this work took place during the challenge cycle of my writing group.

    What I’ve Learned About My Writing

    I have learned that I tend to underwrite more than overwrite. This surprised me as just like Shaine, I tend to overexplain things in person. I suspect it is partly because I learned to be concise in my writing. Written assignments at school and university generally had upper word counts, and as a vet, getting enough time to write notes was a challenge so I had to be concise and precise.

    Fiction is a different thing. Sure, there are accepted word count limits for books, and the bigger the book the more expensive printing costs are. But I have more wiggle room and I can take the time to stop and smell the flowers. So in this draft I put more effort into ensuring there was enough description and detail.

    These details do matter. Setting the scene helps set the mood, foreshadow what’s going to happen, indicate how characters are feeling and simply transporting the reader into the world I’ve created. You’re seeing my world through the eyes of three very different people, with a common goal.

    Of course, this is only draft two and there’s a long way to go, but I wanted to fill in some of the gaps I noticed in my first readthrough. Along with ensuring the events of the story make sense and sit where they are supposed to be.

    As you’ll see next week, draft three involved some major changes. Such as adding that third point of view character. Aidan wasn’t content with being a major character, he is the one who experienced an immediate emotional wound during the plot. So I realised I needed more from his perspective and he needed further development.

  • Fixing Friday: Scene By Scene Draft One to Two

    Fixing Friday: Scene By Scene Draft One to Two

    Welcome back to Fixing Friday. This week is ‘Scene by Scene’ where I go through my notes after reading the first draft and plot out the scenes and what needs changing. At this stage, I’m focusing on the ‘big picture’ stuff. The overall story structure and if everything was in the right place. It did feel like it was missing something.

    A New Outline

    Before I touched the manuscript again, I worked through a revised outline. I’m what is known as a ‘plantser.’ This means I usually start a writing project with a vague idea and just plough ahead and write, discovering the story as I go. Although I don’t always complete a draft this way. I then go on to create an outline from what I have, to figure out how to get to the ending.

    I use the Three Act structure for this story, which is one of the most common story structures, although there are plenty of options. So I took my notes from my first read through and used the plotting tool on Lore Forge to fit all the story events into this structure.

    It’s important to have a combination of action and reaction moments. Not every scene has to be high drama and excitement, there has to be space for characters to take a breath and react to their situation. It also gives your readers a moment before moving onto the next thing.

    Creating The Outline

    So what do I include in this? A few things. I’m learning as I go on this, so my process has improved since this early stage. But here’s the details I included in my revised outline, scene by scene. I created an entire date system for my world and part of the outline included a timeline with dates for each scene.

    • What happens in the scene? This is probably an obvious one but it is essential.
    • When it happens in the story. I add the date.
    • What the scene’s purpose is. Is it character development, discovering new information, a significant event in the plot? There is one chapter where one of the characters makes an important discovery that will lead them to what they need, but it won’t pay off for a long time.
    • Off the back of the last point, noting if something is significant for a character. Like one of them being forced to confront something from their past, or how they feel about a decision they made.
    • Scenes should always do more than one thing and worldbuilding is a part of that. I do my best to avoid info-dumping too much, so I try to sprinkle world details throughout and show them through events in the story.
    • Sub-plots and secondary storylines and how each scene interacts with them.

    It’s a lot of detail, but the first draft is only the skeleton. This is where we dig into the meat of the story and flesh it out. I know that’s a bit of a creepy metaphor but it’s accurate.

    Next Steps

    I examine the outline for consistency and decide if it’s in the right order. Are events following on from each other in a logical way, while escalating the tension? Are there scenes that are not pulling their weight? In which case they either need to be improved or removed.

    Cutting scenes is difficult. You wrote them for a reason, but sometimes they are just not doing enough to be there. I hate deleting things permanently, even if I’m ‘killing my darlings’ so I keep old versions of the documents just in case. It needs to happen, though.

    After that, I felt ready to start writing the next draft. I chose to rewrite from scratch, using the first draft as a reference. I did occasionally copy over some bits from the original draft but most of it was rewritten. It still felt like it was missing something and I realised that one of the major characters was too involved to not be a main character. That meant I needed to upgrade him and give him his own story arc. I’ll get into more details on that next week.

    Outlines are great to have but it’s important to remember that they are not etched in stone. If your outline is not fitting where the draft is going, then it can easily be changed. It’s all a part of the process.

    Next week, we’ll be going into how I wrote draft two, upgraded a character to a main character and fleshed out his backstory. So I hope you’ll join me for that.